Thus Lewis (1986: 61) says:
Taylor, 1986), Lion’s Run (Craig Thomas, 1986), and Pattern Crimes (William Bayer, 1987).
The manufacture and importation of new automatic firearms has been prohibited since the Firearm Owners' Protection Act of 1986.
After opting for early retirement in 1986 he was elected for two consecutive terms as the body’s president (1986-91).
We find a very similar take on Bradley’s regress in Blanshard (1986).
., Gould & Eldredge 1977, 1983, 1986, 1993; Eldredge & Gould 1988; Gould 2002).
Regan (1986) argues that we need “duties that are independent of out changeable needs and preferences.”
For the latter, see Loar 1981, 1982; McGinn 1982, 1989; Block 1986; and Peacocke 1986, 1992.
In April, Gould responded (Gould 1986), and in May, Robert Eckhardt responded to Gould’s response (Eckhard 1986).
…Newman) in Martin Scorsese’s film The Color of Money (1986) in what film critic Pauline Kael described as a “brief, startling performance.”
…work in the hit film Splash (1984) earned him leads in other comedies, including Bachelor Party (1984), Volunteers (1985), and The Money Pit (1986).
Mr Aubrey backtested his model between 1986 and 2011, switching into equities when the gap was widening and into government bonds when it was narrowing.
(For this debate, see Searle 1969; Schiffer 1972; Harman 1974; Blackburn 1984; Sperber and Wilson 1986; Recanati 1986; Bach 1987 and Neale 1992.)
Van Inwagen distinguished between Abstractionist and Concretist conceptions of possible worlds (see van Inwagen 1986: 185–6; see also Stalnaker 1986: 121).
That reference was meant to be to 1986, and while the model was not on the cover of Elle in 1986, she did feature in a photoshoot in the magazine that year.
…Out in Beverly Hills (1986), The Color of Money (1986), and Pretty Woman (1990); and restored Disney’s reputation for classic animation with Beauty and the Beast (1991) and The Lion King (1994).
…of such popular films as Down and Out in Beverly Hills (1986), The Color of Money (1986), and Pretty Woman (1990); and restored Disney’s reputation for classic animation with Beauty and the Beast (1991) and The Lion King (1994).
Rather than focus on commensurability between abstract values, a number of authors focus on the comparability between concrete bearers of value, often in the context of choice (Broome 1997, 2000; Chang 1997, 2002; Griffin 1986; Raz 1986).
…him to assume various identities; Ghosts (1986), about a private eye known as Blue who is investigating a man named Black for a client named White; and The Locked Room (1986), the story of an author who, while researching the life of a missing writer for a biography, gradually assumes…
Scott Momaday’s House Made of Dawn, which won the Pulitzer Prize in 1969, James Welch’s Winter in the Blood (1974) and Fools Crow (1986), Leslie Marmon Silko’s Ceremony (1977), and Louise Erdrich’s Love Medicine (1984), The Beet Queen (1986), and The Antelope Wife (1998) were powerful and
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