Sentence examples for book’s from high-quality English sources.

• Then come the book’s final, distressing lines:

• The book’s assertions of campaign infighting and dysfunction — and the notion that Mrs.

• But the book’s unified theory of the scarcity mentality is novel in its scope and ambition.

• In Paradise, Morrison forced readers to guess which character was the white woman whose murder is foretold in the book’s first words.

• He’s not just interested in the book’s condition.

• Trump was far more involved in the book’s promotion.

• Two of the book’s important characters will end up there.

• Think about the scene that serves as the book’s centerpiece.

Use book’s in a sentence.

• Lan sat beside Gingerich and unwrapped the book’s vellum cover.

• But the core of the book’s appeal was emotional: this is what it felt like to be an American housewife in 1963.

• Thanks to a board book’s simple and spare language, ambiguity reigns, releasing other, equally plausible meanings.

• More than forty years after its publication, many of the book’s episodes, such as the suicide of an intern, still feel contemporary.

• The book’s spirit feels most anchored in Ruth’s section, though Viviane’s is vital and provides most of the book’s oxygenating levity.

• A fourth element underscores the book’s theme: a series of vignettes inserted throughout, unspecified in time and place, most of them less than two pages.

• How much fascination and shock would be dampened if Faulkner had limited the book’s central concern to incest rather than the theatrical “one-drop” curse?

• There’s a certain sadness about watching Paddy grow up as the story unfolds; witnessing his trajectory from the warmth of the book’s beginning to the tragedy of the book’s denouement.

book’s sentence examples

• Critics on the social media app WeChat circulated images of the “Battle Against Epidemic” book cover with the comment “Totally shameless,” possibly prompting a reconsideration of the timing for the book’s publication.

• Michiko Tanaka, a newspaper reporter in Hiroshima who wrote the new book’s afterword, said in an email that even today, the Japanese public remains interested in survivor testimonies, historical documents and other visceral reminders of the atomic bombings.

• The challenge, not quite met by Christopher Hampton’s script, was to convey Conrad’s characters - and that includes the worn policeman Heat, who should be the book’s moral centre but somehow isn’t – with the right mix of caricatural savagery and human depth.

• The journalist and author’s revelation on Wednesday, ahead of his next book’s release, that Trump knew how dangerous the virus was so early on has prompted outrage against the president, but also raised an ethical question: shouldn’t Woodward have immediately made this public?