“One of the life-goes-on details in Rubens,” Currin said.
Contributors include Thomas Fahy, author of Understanding Capote; Brenda Currin who played the murdered Nancy Clutter in the 1967 film of the book; Ed Pilkington of the Guardian; James Linville, formerly of the Paris Review; actor Toby Jones; Ralph Voss, author of the Legacy of In Cold Blood; plus Ebs Burnough and Lawrence Elman who made the 2019 documentary The Capote Tapes.
“Simpering mediocrity,” Currin pronounced, with satisfaction.
The longer you look at a Currin, the less you know what to make of it.
Currin has been building up the central figure’s face with white paint.
Currin is as important an emerging painter as today’s art world provides.
Currin also said, “If you look at the thigh gap, there’s a notable omission.”
Currin introduced himself, and Rachel asked if he wanted to go out with her that night.
This puts Currin, whose images suggest misogyny, in an uncomfortable position that suits him well.
Although Levin eventually changed her mind about Currin (“I was wrong, of course,” she wrote in 2003.
“All of a sudden, I had seven thousand dollars, which represented half a year of housepainting,” Currin said.
“I want contrapposto without looking Italian,” Currin said to me of his nudes’ expressively distorted Northern Rennaissance anatomies.
“I’ve always liked that thing of a figure coming in from the side who doesn’t quite obey the spatial rules of the rest of the painting,” Currin tells me.
During dessert, Rachel Currin went to one of the pianos and played, from memory, a Chopin mazurka that their mother used to practice late at night, when she and John were upstairs in bed.
In the nineties, Coles worked as a studio manager for Jeff Koons; at her gallery, which opened in 1997, she shows Matthew Barney, Sarah Lucas, John Currin, and a number of the group known as the Young British Artists.
The Picasso was the highlight of a themed sale called “Looking Forward to the Past,” which combined pieces by contemporary artists such as Jean-Michel Basquiat and John Currin with works by Picasso, Dubuffet, and Monet.
John Currin apologized for the drab surface of a new painting in his studio, on the westernmost block of Fourteenth Street—an area dominated by meatpackers which is rapidly artifying along with the gallery boom just to the north, in Chelsea.
From where he was sitting on the sofa, Jacobs could see works of art by Andy Warhol, Francis Picabia, Georges Braque, John Currin, Elizabeth Peyton, David Hockney, Ed Ruscha, and Richard Prince (with whom Jacobs collaborated on an extremely successful line of handbags).
Grayson Haver Currin, until recently a longtime editor at Indy Week, an alternative paper published in the Raleigh-Durham-Chapel Hill triangle, thinks chefs like Sean Brock in Charleston, S.C., and Ashley Christensen in Raleigh do a better job interpreting the traditional Southern culinary canon for modern eaters.
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Grayson Haver Currin until recently a longtime editor at Indy Week an alternative paper published in the Raleigh-Durham-Chapel Hill triangle thinks chefs like Sean Brock in Charleston SC and Ashley Christensen in Raleigh do a better job interpreting the traditional Southern culinary canon for modern eaters