In 1864 Friedrich Nietzsche went to the University of Bonn to study theology and classical philology.
In addition to the Old Testament and the Gospel, the encyclical quotes Dante, Jean-Jacques Rousseau, Friedrich Nietzsche, T.
For untranslated material and emendations to existing translations, I have relied on Friedrich Nietzsche, Sämtliche Werke: Kritische Studienausgabe in 15 Bänden, ed.
The story goes that Friedrich Nietzsche once encountered a horse that was being whipped by its master, and that after intervening, the philosopher never spoke a word again.
Friedrich Nietzsche was a German philosopher who became one of the most influential of all modern thinkers.
It is the fruit of what the German philosopher Friedrich Nietzsche (1844–1900) disapprovingly referred to as “historical humanism.”
Gibran’s literary and artistic output is highly romantic in outlook and was influenced by the Bible, Friedrich Nietzsche, and William Blake.
London educated himself at public libraries with the writings of Charles Darwin, Karl Marx, and Friedrich Nietzsche, usually in popularized forms.
The philosopher Friedrich Nietzsche used the terms Dionysian and Apollonian to analyze and explain the character of Greek tragedy in his book The Birth of Tragedy.
The most significant contribution in poetry came from a group in Sydney influenced by the German philosopher Friedrich Nietzsche and the late 19th-century French innovators.
In all these respects, Foucault must be seen as the modern successor to Friedrich Nietzsche—Foucault’s great albeit unacknowledged predecessor in the philosophy of punishment.
Otto identified the other class of experiences, in which the numinous is fascinans (“fascinating”), with the “Dionysian element,” as defined by the German philosopher Friedrich Nietzsche.
There is a list of approved professional organisations – they include well-known names such as the Law Society, plus lots of others, from the European Association for Potato Research to the Friedrich Nietzsche Society.
Theorizing upon it were men of letters as diverse as Samuel Johnson, David Hume, Samuel Taylor Coleridge, and Percy Bysshe Shelley and German philosophers from Gotthold Lessing in the 18th century to Friedrich Nietzsche in the 19th.
Among foreign thinkers, Arthur Schopenhauer, so important to the preceding generation, gave way to Friedrich Nietzsche, whose books were read less for the superman theme than as a protest against the limitations of the mechanistic world.
Other major works include A Mass of Life (1904–05) and a Requiem (1914–16), both to texts by Friedrich Nietzsche; Brigg Fair (1907) for orchestra; four concerti for various instruments; three sonatas for violin and piano; and many smaller orchestral pieces and songs.
For treatments of other influential definitions of art, inseparable from the complex philosophical systems or corpuses in which they occur, see, for example, the entries on 18th Century German Aesthetics, Arthur Schopenhauer, Friedrich Nietzsche, and Dewey’s Aesthetics.
Our last brief seeks to sharpen the definition of liberalism by setting it in opposition to a particular aspect of the thought of three anti-liberals: Jean-Jacques Rousseau, a superstar of the French Enlightenment; Karl Marx, a 19th-century German revolutionary communist; and Friedrich Nietzsche, 30 years Marx’s junior and one of philosophy’s great dissidents.
His successor Friedrich Nietzsche agreed, adding that boredom was the fundamental reason for a host of regrettable phenomena, including the self-denying practices of holy ascetics (who chose the refusal of pleasure as “their chief tool in the fight with their enduring pain and boredom”), and even the creation of humans by God, who needed something to distract himself from his divine, cosmic ennui.
. | aesthetics: German, in the 18th century | art, definition of | Gadamer, Hans-Georg: aesthetics | Hegel, Georg Wilhelm Friedrich | Herder, Johann Gottfried von | Kant, Immanuel: aesthetics and teleology | Nietzsche, Friedrich | Nietzsche, Friedrich: aesthetics | Schelling, Friedrich Wilhelm Joseph von | Schlegel, Friedrich | Schopenhauer, Arthur | Schopenhauer, Arthur: aesthetics
- influential German philosopher remembered for his concept of the superman and for his rejection of Christian values; considered, along with Kierkegaard, to be a founder of existentialism (1844-1900)
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| aesthetics German in the 18th century | art definition of | Gadamer Hans-Georg aesthetics | Hegel Georg Wilhelm Friedrich | Herder Johann Gottfried von | Kant Immanuel aesthetics and teleology | Nietzsche Friedrich | Nietzsche Friedrich aesthetics | Schelling Friedrich Wilhelm Joseph von | Schlegel Friedrich | Schopenhauer Arthur | Schopenhauer Arthur aesthetics