As an homage, Payne has inserted Hanson’s name into his recent movies.
“It’s Pauline Hanson’s line, but also far-right groups and it’s been there for decades.
Hanson’s subjects of the late 1960s were political, including war, gang victims, and the homeless.
It is now widely agreed, however, that Hanson’s reconstruction of the episode is not a historically adequate account of Kepler’s discovery (Lugg 1985).
Srinivasan’s rigorous essay and Hanson’s flippantly dehumanizing thought experiment had little in common.
“Senator Hanson’s remarks do not bear repeating, but her conduct must be condemned by all sides of politics.
The fire that burned Hanson’s home is the LNU Lightning Complex fire in wine country north of San Francisco.
Her concerns aren’t confined to humanoid robots, like Hanson’s, but extend even to those that are clearly machines.
In Maddie Hanson’s “Virtuality,” we see a dancer in her apartment but also—through a virtual-reality headset she wears—onstage.
A One Nation spokesman, James Ashby, said the network would not benefit the party, and engagement on leader Pauline Hanson’s personal page was far greater.
Hanson’s work is a synthesis of two impulses: the wish to record, to educate, and to protest, and the wish to find an arresting sort of beauty in even these debased places.
Hanson’s campaign for reelection became much more difficult, however, when the boundaries of her district were changed to include a significant population of Asian immigrants.
Because of its faithfulness to reality, Hanson’s work is often categorized with that of the Photo-realist painters of the same era, who based their paintings on photographic images.
Chef-owners Riad Nasr and Lee Hanson’s modern take on the classic brasserie has been a hit since debuting in 2018 (our former Time Out critic Jake Cohen gave it a solid four-star review).
Both a gorgeous throwback to ’50s Hollywood tough guys and a piercing comment on the post–Rodney King ’90s, Curtis Hanson’s tightly wound cop drama runs on the tension between L.A.’s dream-factory mechanics and the sordid reality.
Bridie Jabour asks the voters themselves for the Behind the Lines podcast and the answers are complicated – and surprising • Meeting Pauline Hanson’s voters: silent screamers find their voice • Comprehending Pauline is not the problem.
Hanson’s article is featured in a collection called “An Autumn of War: What America Learned from September 11 and the War on Terrorism,” which Vice-President Dick Cheney recommended to his entire staff, declaring that it captured his philosophy.
This is the water we all swim in now: Pauline Hanson’s shambolic ascendency may be stalled for the moment, but there is still, as yet, no obvious political penalty for bareknuckle political assaults on whole groups of people based only on their skin colour, heritage or religion.
Hanson’s striking and disturbing sequence of landscape photographs, is most dramatically comprehended in the context of the history of American landscape art and of the evolution of the “real”: as Hanson suggests in his title, we have here an inexorable movement, a despoliation of Eden.
Hanson’s proposal seems more akin to Robert Menzies’ 1949 effort to ban the Communist Party and “affiliated groups”, through legislation criminalising anyone judged to be supporting or practising the “objectives, policies, teachings, principles or practices of communism, as expounded by Marx and Lenin”.
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