In two weeks, barring injury or earthquake, Rafael Nadal will hoist La Coupe des Mousquetaires, the French Open trophy.
If they are not going to retire the trophy and give Nadal the Coupe des Mousquetaires permanently (not a bad idea), it must surely be in need of repair at this stage after all the celebratory bites he has taken out of it.
The best known of his works are Les Trois Mousquetaires (published 1844, performed 1845; The Three Musketeers), a romance about four swashbuckling heroes in the age of Cardinal Richelieu; Vingt ans après (1845; “Twenty Years After”); Le Comte de Monte Cristo (1844–45; The Count of Monte Cristo); Dix ans plus tard ou le Vicomte de Bragelonne (1848–50; “Ten Years Later; or, The Vicomte de Bragelonne”); and La Tulipe noire (1850; “The Black Tulip”).
But the cramping finger did not affect his groundstrokes or his spirit, and, inevitably, it was only a matter of time before he was hoisting the Coupe des Mousquetaires for the eleventh time.
The tennis grounds were constructed in 1928, in order to host the Davis Cup; the French team, anchored by les Quatre Mousquetaires—Jacques Brugnon, Jean Borortra, Henri Cochet, and René Lacoste—had won the tournament in the United States the year before.
Mousquetaires
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