…idealism was the “philosophy of will” developed by Arthur Schopenhauer (1788–1860).
An important figure in the development of panpsychist thought is Arthur Schopenhauer (1788–1860).
According to Schopenhauer, religion and rationalism aim to reassure us that the universe has a design.
Nietzsche’s The Birth of Tragedy out of the Spirit of Music (1872) was deeply influenced by Schopenhauer.
According to Schopenhauer, the egoism of the protagonist is purified by suffering almost to the purity of nihilism.
Schopenhauer also probably met at the time, Julius Klaproth (1783–1835), who was the editor of Das Asiatische Magazin.
Schopenhauer may have room in his aesthetic theory for erotic art, but this is not a topic which he explicitly addresses.
Schopenhauer maintains similarly in his “Essay on the Freedom of the Will” (1839) that everything that happens, happens necessarily.
Arthur Schopenhauer was among the first 19th century philosophers to contend that at its core, the universe is not a rational place.
In this work, Schopenhauer provides a brief history of the PSR, and then raises the questions of the justification for the PSR and the proper scope of the principle.
These internal problems with Kant’s argument suggest to Schopenhauer that Kant’s reference to the thing-in-itself as a mind-independent object (or as an object of any kind) is misconstrued.
Schopenhauer also does not doubt that there is something other than the representing subject beyond what it represents, an underlying reality beginning with its own body as it is rather than as it merely appears.
The third and fourth studies—on Schopenhauer and Wagner, respectively—address how these two thinkers, as paradigms of philosophic and artistic genius, hold the potential to inspire a stronger, healthier and livelier German culture.
From a scholarly standpoint, it implies that interpretations of Schopenhauer that portray him as a Kantian who believes that knowledge of the thing-in-itself is impossible, do not fit with what Schopenhauer himself believed.
Aesthetic perception thus transforms an individually-oriented state of consciousness to a universally-oriented state of consciousness, or what Schopenhauer calls a pure will-less, painless, and timeless subject of knowledge (WWR, Section 34).
It is the feeling of embodiment—the intuitive, immediate knowledge that one wills when, for instance, one wills to raise one’s arm—that is monumentally significant for Schopenhauer in his identification of the Kantian thing in itself with will.
aesthetics: aesthetic judgment | aesthetics: environmental | aesthetics: German, in the 18th century | art, definition of | artifact | beauty | Goodman, Nelson: aesthetics | Ingarden, Roman | ontology of art, history of | Schopenhauer, Arthur: aesthetics | Wolff, Christian
An assortment of photographs of Schopenhauer was taken during his final years, and although they reveal to us an old man, we should appreciate that Schopenhauer completed his main work, The World as Will and Representation, by the time he had reached the age of thirty.
emergent properties | feminist philosophy, interventions: philosophy of religion | feminist philosophy of religion | Japanese Philosophy: Kyoto School | monotheism | pantheism | process theism | reduction, scientific | religion: philosophy of | Schopenhauer, Arthur | Spinoza, Baruch | supervenience
. | aesthetics: German, in the 18th century | art, definition of | Gadamer, Hans-Georg: aesthetics | Hegel, Georg Wilhelm Friedrich | Herder, Johann Gottfried von | Kant, Immanuel: aesthetics and teleology | Nietzsche, Friedrich | Nietzsche, Friedrich: aesthetics | Schelling, Friedrich Wilhelm Joseph von | Schlegel, Friedrich | Schopenhauer, Arthur | Schopenhauer, Arthur: aesthetics
Schopenhauer
noun person
- German pessimist philosopher (1788-1860)
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| aesthetics German in the 18th century | art definition of | Gadamer Hans-Georg aesthetics | Hegel Georg Wilhelm Friedrich | Herder Johann Gottfried von | Kant Immanuel aesthetics and teleology | Nietzsche Friedrich | Nietzsche Friedrich aesthetics | Schelling Friedrich Wilhelm Joseph von | Schlegel Friedrich | Schopenhauer Arthur | Schopenhauer Arthur aesthetics