Sentence examples for blues-and-dance from high-quality English sources.

• He was an instant convert and thenceforth an avid attendee, a member of the earliest cadre of Dead freaks who bore witness to the band’s metamorphosis from a mere blues-and-dance band into a full-bore improvisational psychedelic experiment—what he called “primal Dead.”

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  That opening crescendo, giving way to the Nile Rodgers-penned guitar funk riff, is one of the most breathtakingly exciting moments in Bowie’s catalogue, and the croaky croon of “put on your red shoes and dance the blues” a few seconds later is one of the coolest.

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  “Everybody was wearing grey and beige and pink, and then Goncharova arrives with costumes in golds and dark blues and turquoises in striking combinations that just hadn’t been used before.”

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  Salif Keita, (born Aug. 25, 1949, Djoliba, Mali), Malian singer-songwriter known for blending elements of a wide range of local African—especially Mande—music traditions with jazz, rhythm and blues, and other international popular-music styles to pioneer the Afropop dance-music genre.

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  Serving primarily as dance music, rock-and-roll and rhythm-and-blues instrumentals began appearing on the pop charts in the mid-1950s, with Bill Doggett’s…

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  He quickly delivered “The Real McCoy,” one of his strongest albums, which included his compositions “Passion Dance,” “Search for Peace” and “Blues on the Corner,” all of which he later revisited on record and kept in his live repertoire.

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  While other rhythm-and-blues artists stressed visceral sexuality, Cooke was essentially a spiritualist, even in the domain of romantic love.

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  Which led to the creation of Blues parties, a tradition that began back in the West Indies in the 1950s, were black people could meet, dance and have a good time.

Use blues-and-dance in a sentence.

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  Brown’s  Grace  (1999), a blend of modern and West African dance; current artistic director Robert Battle’s brief, funny solo Takademe (1999), which makes us of Indian Kathak rhythms; and the troupe’s signature work, Ailey’s enormously popular 1960 group piece Revelations, which explores the African-American soul in a group dance set to spirituals, gospel songs and holy blues.

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  …return to beat-heavy abstract pop, Midnite Vultures (1999), which leaned more heavily than ever in a pseudo-rhythm-and-blues direction (Beck at this point was fond of unveiling James Brown-style and break-dance steps in his live show), was a commercial disappointment.

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  Second, a new urban dance music, rhythm and blues, was ascendant.

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  A juba dance banged out on a table, a work song beaten out with chairs and glasses, a gutbucket blues demonstrate the African-American genius for making something out of nothing.

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  Using feature film clips, rare archive and location filming, the programme examines how Afro-Cuban music has impacted - since early last century - on jazz, pop rhythms and dance styles.

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  Today, like blues and jazz, it is looked on as one of the great American musical cultures, its rhythms and hooks reverberating throughout popular music.

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  Jonathan Toubin has established himself as the city’s most reliable jockey for stripped-down rhythm and blues and rock and roll of a mid-century vintage.

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  His return to beat-heavy abstract pop, Midnite Vultures (1999), which leaned more heavily than ever in a pseudo-rhythm-and-blues direction (Beck at this point was fond of unveiling James Brown-style and break-dance steps in his live show), was a commercial disappointment.

blues-and-dance sentence examples

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  Soul music and rhythm and blues also show obvious blues tonalities and forms.

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  The pioneers of the style played a key role in developing the market for traditional blues recordings in the 1920s and ’30s, while the subsequent generation of Delta-born guitarists contributed to the rise of Chicago blues, electric blues, and the folk blues revival in the post-World War II years.

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  And the same again with the closing performance of the day and week, “Run, Mary, Run,” a piece by the choreographer Rashida Bumbray and Dance Diaspora Collective, with several percussionists and Mr.

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  Lyrics from his songs, including “Maggie Campbell Blues,” “Big Road Blues,” and “Cool Drink of Water Blues,” became standard features of the blues repertoire.