It would show Duck Soup at four in the morning.
Following the failure of Duck Soup, Paramount did not renew the team’s contract.
“My father would wake me up, and I’d get to watch, you know, ‘Duck Soup’ or ‘A Night at the Opera.’ ”
Instead, the fantasy takes over and, like the sidecar in “Duck Soup,” leaves its source of power behind.
His first effort for the studio was Duck Soup (1933), starring the Marx Brothers.
…greatest comedies: Monkey Business (1931), Horse Feathers (1932), and Duck Soup (1933).
Like the word “upstart,” which makes Groucho declare war in “Duck Soup,” “armchair” was the fatal insult.
The team subsequently produced three of their greatest comedies: Monkey Business (1931), Horse Feathers (1932), and Duck Soup (1933).
Directed by Baron Cohen’s usual collaborator, Larry Charles, and written by Baron Cohen, Alec Berg, David Mandel, and Jeff Schaffer, the movie has the ramshackle loopiness of a Marx Brothers movie—in particular, “Duck Soup.”
Yet such is the nature of celebrity that when Groucho quoted lines from Eliot's The Wasteland back to him, he was uninterested, and Groucho, in turn, was unable to recall the scene from Duck Soup that Eliot particularly loved.
One “refracted” creature is a metallic being that resembles a human-sized Oscar statuette, and the investigation of its qualities involves a virtual ballet of mimicry that seems borrowed from the Marx Brothers’ mirror scene in “Duck Soup.”
When the Belgian cartoonist Hergé sketched the popular adventures of the boy reporter, he acknowledged sources as diverse as the National Geographic, Jules Verne and even movies by the Marx brothers, including Duck Soup and A Night at the Opera.
There are so many others: words of reassurance, gossip about Toscanini’s sex life, jokes from “Duck Soup,” the thousand and one sentiments that are seldom expressed by fathers and sons of a certain age, including the fact that I love him very much.
It was replaced by equally vital—but ultimately less surreal and abstract—sound comedies: the anarchic dialogue comedies of the Marx Brothers (The Cocoanuts, 1929; Animal Crackers, 1930; Monkey Business, 1931; Horse Feathers, 1932; Duck Soup, 1933) and W.C.
—died July 5, 1969, Santa Monica, California), American director and writer who was perhaps best known for his light comedies, notably the classics Duck Soup (1933) and The Awful Truth (1937), but who also made several popular romances and sentimental films.
Traditional Polish cuisine includes hearty dishes such as duck soup (czarnina), red beet soup (barszcz), dumplings (pierogi), smoked salmon and eel, sausages and sauerkraut, and pork and poultry dishes, the latter often served with a sweet sauce.
Enter David, who saw what appeared to be his own face, twice over, gazing out from a newspaper, and got in touch—shades of the moment in “Duck Soup” when Harpo, in Groucho disguise, encounters the real Groucho, only for Chico, another Groucho replica, to saunter in.
Lenny Henry stars in a musical fantasy written by Jakko M Jakszyk and Lenny Henry, woven round the real-life 1964 dinner encounter between the greatest poet in the English language of the twentieth century, TS Eliot and the legendary star of A Night at the Opera, Duck Soup and Horse Feathers, Groucho Marx.
The Marx Brothers’s best movie, ‘Duck Soup’ takes them far out of their New York music hall milieu and into a kind of twisted miniature Mittel-Europa filtered through immigrant memory and fairytales, where war is brewing between the proud people of Freedonia and the crypto-fascists of neighbouring Sylvania.
Miguel Gabriel, a longtime Upperline “soup chef,” has been responsible for the dark-roux brew since 2010.
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