There is much that is distinctive about Javanese culture, from shadow-puppet plays to tempeh, a fermented soyabean cake.
The Manual Cinema team found a beautiful visual counterpart: an image of a human hand outstretched to the blinded, limping shadow-puppet king.
Ombres chinoises, (French: “Chinese shadows”), European version of the Chinese shadow-puppet show, introduced in Europe in the mid-18th century by returning travelers.
Opera’s performance was essentially a concert version, although the projection of shadow-puppet animations, by the Manual Cinema collective, added a stark visual allure.
Almost all Arabic-speaking cultures also have a strong tradition of shadow-puppet theatre; among the most prominent of these traditions is the Karagöz puppet show.
The prominent puppet theatres—wayang golek (wooden rod-puppet play) of the Sundanese and wayang kulit (leather shadow-puppet play) of the Javanese and Balinese—draw much of their repertoire from indigenized versions of the Ramayana and Mahabharata.
These can be grouped, according to which of the various stage arts is emphasized, into (1) masked dance and masked dance-mime, (2) unmasked dance and dance-drama, (3) drama with music and dance, (4) opera, (5) shadow-puppet plays, and (6) doll- or stick-puppet plays.
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Another type of puppet that is operated with strings or rods is a shadow puppet.
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…approaching life size; a two-dimensional shadow puppet manipulated by means of sticks; or a string-operated three-dimensional puppet, called a marionette.
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Inspired by the shadow puppet theatre of Thailand, Germany’s Lotte Reiniger employed animated silhouettes…
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The figure may be a three-dimensional hand-operated or body-operated puppet, either miniature or approaching life size; a two-dimensional shadow puppet manipulated by means of sticks; or a string-operated three-dimensional puppet, called a marionette.
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Later, the pack’s leader trips – running on what Natalie Angier has described as legs “like the sticks of a shadow puppet” – into the wide hole made in mud by an elephant’s foot and hardened in the sun.
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Performances of traditional regional opera, such as likay in central Thailand and nang (shadow puppet theatre) in southern Thailand, still attract large audiences, despite their having lost some viewers to television and film.
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The four most common types, however, are hand, or glove, puppets; rod puppets; shadow figures; and string puppets, or marionettes.
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You can get a puppet to move via a rod fixed in its body (as in Japanese Bunraku), or by pulling it around on a stick behind a screen (as in Indonesian shadow puppetry), or by just putting your hand in it and moving it around (this is a hand puppet or glove puppet).
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Only the silhouette, or shadow, of the puppet is visible to the audience.
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There is clear evidence that puppet theater was present in ancient China, where puppets were elaborately carved and painted.
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Still another minor puppet form is the finger puppet, in which the manipulator’s two fingers constitute the limbs of a puppet, whose body is attached over the manipulator’s hand.
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When choosing between one cracker from a good puppet or two crackers from a bad puppet, the infants “robustly” went with the do-gooder, the researchers say.
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Conjecture about secret plots, chemtrails, and "powerful elites" abounds — an entire section of the site titled "Cabal," featuring sinister puppet-master imagery, purports to expose "shadow governments" and "strategic deception."
shadow-puppet
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