Carlo Blasis, who was schooled in the ideas of Noverre, published in 1830 his Code of Terpsichore.
The goal: to walk through the galleries in the hope that the muse—Terpsichore, specifically—might strike.
We meet her mysterious director-lover André Durand and his volatile film-star wife Terpsichore, whose assistant Adèle becomes en route to stardom.
Ballet training closely follows the rules published in 1828 by the Italian dancing master Carlo Blasis in his Code of Terpsichore.
(Shriver seems to employ a similar strategy for naming her characters: Serenata Terpsichore, Nollie Mandible, Goog Stackhouse, Mordecai McCrea.)
Many of Blasis’ traditions and innovations, which were handed down directly through his pupils and were also recorded in his second book, The Code of Terpsichore (1830), still form the basis of classic dance training.
Hence there is no consistency in these minor tales—Terpsichore, for example, is named as the mother of several different men by various authors and Orpheus generally is called the son of Calliope but occasionally of Polymnia.
terpsichore
noun act
- taking a series of rhythmical steps (and movements) in time to music
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