The first seven stanzas are in largely unrhymed quatrains .
She has used blank verse, primarily: unrhymed iambic pentameter.
The poems are unrhymed sonnets, and in subject matter and narrative content they recall late Victorian love sonnets.
Winch’s clever final reduction of her stanza form from tercet to unrhymed but assonance-rich couplet may be intended to suggest the running-out of breath.
The poem is made up of mostly three-line unrhymed stanzas .
Later he decides that unrhymed poems aren’t poems at all, just “plums.”
Haiku, unrhymed poetic form consisting of 17 syllables arranged in three lines of 5, 7, and 5 syllables respectively.
Adapted from unrhymed Greek and Latin heroic verse, blank verse was introduced in 16th-century Italy along with other classical metres.
Senryū, a three-line unrhymed Japanese poem structurally similar to a haiku but treating human nature usually in an ironic or satiric vein.
Bob and wheel, in alliterative verse, a group of typically five rhymed lines following a section of unrhymed lines, often at the end of a strophe.
In 1749 the first three cantos of his Der Messias (The Messiah), written in unrhymed hexameters, appeared in the Bremer Beiträge and created a sensation.
He very early adopted a long, unscanned, usually unrhymed line that came to be known as the verset claudélien, which is his unique contribution to French prosody.
The Kalevala is written in unrhymed octosyllabic trochees and dactyls (the Kalevala metre) and its style is characterized by alliteration, parallelism, and repetition.
Blank verse, unrhymed iambic pentameter, the preeminent dramatic and narrative verse form in English and also the standard form for dramatic verse in Italian and German.
The hymn ascribed to Thomas of Celano contains 18 rhymed stanzas (17 tercets, 1 quatrain), to which a later, anonymous writer added an unrhymed couplet, ending in “Amen.”
In these poems he relived all his experiences and expressed them sometimes in alexandrines and regular stanzas, sometimes in short unrhymed lines, and always without punctuation.
His most recent translators render his poems into English in an unrhymed, loose vernacular style that sounds very much like contemporary American poetry descended from William Carlos Williams.
Lorenzo speaks in blank verse, the standard form for Shakespearean drama, made up of 10-syllabled iambic pentameter lines, ‘blank’ in the sense that it is generally unrhymed, though rhyme may be used too.
Written in some 20,000 lines arranged in unrhymed but metrically rigid couplets, the work is interesting mainly in that the manuscript that preserves it is Orm’s autograph and shows his somewhat fussy efforts to…
In modern times it has been used specifically for an octosyllabic quatrain in which assonance occurs in the even-numbered lines and the odd-numbered lines are unrhymed with the accent falling on the last syllable.
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